existential arctic.

frozen heart, By Sephirothsdx
frozen heart, by Sephirothsdx

 

As days
grow longer
soft hearts
grow colder,

weary of
winter games
forced upon the
fair weather souls

proclaiming
arctic tolerance

for pleasing
the audience

while shivering alone
within the silence.

Minds yearn
for the order of
sprouting thoughts
while hearts

burn to comfort
the dying parts, as
both birth and death
are alive with spirit.

 

 

Renee Novosel

All Rights Reserved

Copyright 2015

carefully chosen notes.

Surreal Birds, by Alexandria Baker
Surreal Birds, by Alexandria Baker

 

As day rolls into night

and night into day,

the shaman sparrow

sings his lilting song

of secret, sacred notes

performed for a

slumbering Spring.

 

Slicing through the

bitter silence of

frozen twilight skies,

each note is a

brilliant reminder

of what once was

and again will be,

 

inspiring a breathy answer

for the beating hearts

of everyone awake to hear:

 

“Soon, sweet sparrow. Soon.”

 

Would the sparrow travel

to warmer skies

if he knew how closely

they existed?

 

Just through the fabric

of here and now,

a short trip to

Somewhere Spring,

 

does the sparrow

seek this eternal paradise

of chartreuse rebirth,

 

or does he patiently sing

his hopeful song

to icicles decorating

barren trees,

 

appreciating each

arctic moment

for its glittering beauty,

 

mindfully aware

of rewards revealed

to those who wait?

 

As the sun rises

in numbing cold,

so does it set

in humid haze,

blanketing each realm

and all in between

with a conscious reminder

that love is patience.

 

 

 

Renee Novosel

All Right Reserved

Copyright 2015

winter isn’t the enemy.

Frozen Brain, by Iivio Ansaldi
Frozen Brain, by Iivio Ansaldi

 

Forced to the warmth

found between folds
of halfhearted
dreams suspended
beneath animated skies

frozen in unwelcome moments

of silent disposition –

the winter is surely to blame.

It must be the cold
misguiding our
mammalian hearts.

It must be

the antiquated threat
of starvation,
the genetic predisposition
for acquiring adipose,
the indiscriminate urge
for securing shelter

that a lengthy
winter brings
causing ants
in the pants
of logical motivation.

No amount of
artificial ultraviolet
can cure the
frostbitten psyche
of an incessant Everest.

 

 

Renee Novosel

All Rights Reserved

Copyright 2015

cosmic run on.

Cosmic Love, by Phillip Schumacher
Cosmic Love, by Phillip Schumacher

 

Inner and outer
manifestations (of
rage and tender touch,

of ego pulled
over the head
inside-out,
of space and the
absence of matter,
of ions forgetting charges
and mass not knowing
its how and why,

leaving cracks in
the surface of
what once was,
what is,
what could be,
what could have been
before cosmic collision
exiled its possibilities
into the netherworld
of parallel options,)

become the
stuff of dreams.

The fabric of poetry.
The liquid sunrise
calling us back
to a life we
don’t understand
while painting
its ambiguous canvas
with the language
of purpose.

 

Inspired by “If A Sunsets Behind Buildings and No One Can See It, Is it Still Beautiful?” By Vagabond at https://writtenmad.wordpress.com

 

Renee Novosel

All Rights Reserved

Copyright 2015

a designer flock.

Woods at Night 1 by Chris Friel
Woods at Night 1 by Chris Friel

 

Sheep blindly pursuing

the vacant salvation of

wealth and conformity

 

who sacrifice intuition

for the sake of

synthetic dreams

 

don’t make it far

in the darkness

of natural night

 

with nothing more

than polymer dogs

for protection.

 

 

Renee Novosel

All Rights Reserved

Copyright 2015

rehearsal.

Flower of Life, by Frida Kahlo
Flower of Life, by Frida Kahlo

 

I.

 

When I looked

at her

how often

I saw the coffin,

how often

she lay

with a stillness

so lovely

I knew her fate

as clearly as

the sun and moon’s.

 

With a stillness

so lovely as

she lay in satin,

her youth

suspended the

time all around us.

 

How often

I’d rehearsed

her funeral

when flowers

willfully planted

and sweetly tended

were ripped

from young roots,

 

left to wither on

hardening ground

in the place

where mirrors

see out

and rain boils

to steam in

blue-hot starlight

before reaching

a thirsty earth.

 

Her flowers withered

and grew,

withered and grew,

comforting lies

convinced the

dedicated that

she’d always

grow back.

 

She’d always be there

somewhere,

withering and growing,

smiling a kind of smile

that gives you

something to

believe in,

 

dancing a dance

that makes you

feel free

just watching,

 

singing a song

without words

in perfect harmony

with the universal

cerebral hum,

 

always a step ahead,

just outwitting

the death

of that place.

 

(Infinite rehearsals

don’t numb the

cutting buzz

of a phone

in the quiet night

heralding the ache

of expectation

and emptiness

of a barren garden.)

 

II.

 

Hot stars

burn brightly

and die young,

showering

their beloved

neighbors

with gifts

more precious

than time –

 

igniting new

stars into being,

seeding their

worlds with

silver and gold,

seeding their

worlds with the

stuff of gardens.

 

 

“Pain is a flower. Pain is flowers

blooming all the time.” – Bukowski

 

 

Renee Novosel

All Rights Reserved

Copyright 2015

life as an onion.

"White Onion" by Justin Clayton
“White Onion” by Justin Clayton

 

Brittle paper skin

crackles beneath

shaking fingers,

exposing the

glossy globe

of ivory white

with its longitudinal

striations of

spring bud green.

 

It is beautiful

and you are young,

unaware of what

lies beneath.

 

Smooth in

your palms

and heavy

for its size,

fair onion

has gravity

hiding beneath

this elastic layer.

 

Then comes

the knife.

Then comes

the truth.

 

Life is an onion,

each delicious layer

promising the

painful sting of tears.

 

 

Renee Novosel

Copyright 2015

All Rights Reserved

 

when the walls collapse

Andromeda_Collides_Milky_Way

 

Maybe I was there.

Maybe you were there.

Maybe you and I

looked up at the stars

as the eyes

of infinite gods,

or the infinite eyes

of one god –

and we imagined

the possibilities.

 

Maybe we stood

at the feet of

rhythmic waves

as their rumbling

voices hinted

of secrets beneath

the arc of deep blue,

and we imagined

the possibilities.

 

Maybe there was

a time between lives,

before and after

everything was named,

when we witnessed

the ground beneath

our feet

and skies above

our eyes

without condition.

 

This meaning

without name,

value

without cost,

reverence

without judgement

is lost

when human eyes

are closed

and the blind

pursuit begins.

 

As if life’s beauty

itself isn’t enough

to satisfy

the reason

for being,

we shamefully define

that which

defies definition,

 

breeding foolish pride

with each steadfast

proclamation,

widening the rift

between man and nature.

 

Greed and power

construct the

revolving doors

of perceived reality,

keeping our

eyes on what

everyone else has

and our minds on

how badly we

want it,

 

but the universe

with its endless eyes

doesn’t blink

a single one

when we’ve

earned or

lost a million.

 

Our tiny order

doesn’t mean

a thing

when galaxies

collide.

 

 

Renee Novosel

All Right Reserved

Copyright 2014

the fifth stage.

The Surreal House, by Francesca Woodman
The Surreal House, by Francesca Woodman

 One.

 “You are the house,”

she explained

while discussing

the somnambular wanderings,

dreamscape happenings,

inside of the childhood home.

         Home.

I live seven walking minutes away

and never pass it.

         Some say they

miss home.

         I avoid it.

“You are the house,”

said Therapist in

a freezing January room,

magnified white-hot

winter rays

penetrating the lace

curtains veiling

modest sacred pulp.

         (When dreaming

of wandering

through houses,

we wander

through ourselves) -

         and in the house

wallpaper was

thirty layers thick,

dead aunts

sat in familiar

wingback chairs,

parents were lost

like children,

and trash piled

to the ceilings.

         “You are the house”

with the dark curtains

and basement shower.

         “You are the house”

with the onion layers

and fruit cellar.

        “You are the house”

with the yellow bricks

and chalky mortar.

         “You are the house”

with the frantic eyes

and ambiguous borders.

Five.

They always made me uneasy,

but not this one.

This time,

the house

was as it was.

No strange rooms,

no unfamiliar decor,

no temporal trash,

no cerebral symbolism,

no shaking shell of a mother –

the house

was as it was –

plus something

filtered,

something refined,

plus something

pure and peaceful,

and it was mine.

 

 

 

Renee Novosel

All Rights Reserved

Copyright 2014

on avian matters.

Each morning

neighborhood crows

fly toward

a gently

rising sun,

 

hundreds landing

softly on the

highest hilltop

as our golden orb

slides into

watercolor skies.

 

Chattering of

breaking avian

news beneath

trees undressing,

they welcome together

daylight in

funeral attire and

with shrill songs,

doing a thing

that the human

in me can’t

help but join

in doing –

 

we marvel

in the sunrise

together.

 

Never minding

my presence

or admiration,

never minding

their bad reputation

for doing

dirty jobs,

never minding

their tenuous

flightpath

between

death and life,

 

they do their

crow thing

each day

and fly each

evening back

toward the sun

as it slips

into a fiery

goodnight.

 

Inhabiting the boundary

between heightened

existence and

ambivalence,

they’ve little

concern for where

November winds

blow decaying things

during the cold night,

 

rather they

sleep soundly

amongst the dead

before gathering

for tomorrow’s sun,

rising once again

upon a world alive

with morbid

avian purpose.

 

 

 

Renee Novosel

All Rights Reserved

Copyright 2014